Carlos D. Perales

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He studied piano and composition at Conservatory of Music of Seville with Pilar Bilbao and composition with A. J. Flores. He subsequently moved to Vienna to continue his studies in composition and orchestra conducting at Universität für Musik und darstellende Kunst Wien with M. Jarrell, D. Schermann, W. Suppan, Y. Yuasa and L. Hager. He focused on electroacoustic composition with D. Kauffman at the Institut für Komposition, Elektroakustik und TonmeisterInnen-Ausbildung. In 2006 is resident composer at the Mixed Reality Lab at the National University of Singapore. PhD by Polytechnic University of Valencia. His main area of interest is the extension of the acoustic sound through the possibilities of the electronic expression and the human-computer interaction. His creative process is closely related to the concept of gesture and the psychology of perception. His works have been performed by ensembles and performers such as Amores Grup de percusió, Ensemble D'Arts, Plural Ensemble, A. Rosado, X. Giner, S. Tchirkov, X. Pestova, M. Bernat, J. Elvira and D. Kientzy among others; at festivals like Festival Internacional de la Imagen (Colombia), Synthese (Bourges), IDKA – FYLKINGEN (Sweden), Primavera Electroacústica en la Habana, CIME 2011 (Greece), Musicacoustica (Beijing), Audio Art (Krakov), Forum Wallis (Switzerland), Florida International University, Center for the Arts Casa das Mudas (Madeira), Deptford Town Hall - London University, Akousma (Canada), among others. He has been invited as speaker at international festivals such as Architectures Contemporaines (Marseilles, 2011), Sonoimágenes (Argentina, 2014), Tetramatyka (Ucraine, 2015) and Visiones Sonoras (México, 2017). He has been awarded in various awards such as Arts Price granted by Instituto Andaluz de la Juventud in 2003, Miniaturas Electroacústicas- Confluencias (Huelva, 2008), XXII Premio Jóvenes Compositores SGAE Fundación Autor-CNDM (Madrid, 2011), Musica Nova (Prague, Czech Republic, 2012), Luigi Russolo (Annecy, France, 2012), Fundación Destellos (Argentina, 2013). His works are edited by Molenaar Edition, Impromptu Editores, Piles Editorial de Música, Babelscores, Tot per l'aire ed. and Brotons&Mercadal Edicions musicals. Since 2016 his is Professor of Musical Technology at Conservatorio Superior de Música Joaquín Rodrigo de Valencia where he teaches Sonology and Electroacoustic Composition and at MA Composition with new technologies at UNIR (International University of La Rioja).
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Ordered by year. Most recent works appears first

Instruments and Electronics

Loving with robots for tenor sax, electronics and video (2023)
Il sogno de'll angelo to Sergej Tchirkov (2022)
Buffo to Peter Katina (2022)
Pianissimo / In termini estremi, Nº 5 book for piano and electronics a Alberto Rosado (2021)
Pochissimo / In termini estremi, Nº 4 book for piano and electronics a Alberto Rosado (2020)
Zefiro, dal lamento alla gelosia for oboe and electronics. A Aitor Llimerá (2020)
Adagissimo / In termini estremi, Nº 3 book for piano and electronics a Alfonso Gómez (2019)
Sefarad for soprano sax and fixed media (2019)
Dolcissimo / In termini estremi, Nº 1 book for piano and electronics a Víctor Trescolí (2018)
Legatissimo / In termini estremi, Nº 2 book for piano and electronics a Alberto Rosado (2018)

Soloist (Instrument or Voice) and Fixed Electronic Media

Il sogno de'll angelo to Sergej Tchirkov (2022)
Buffo to Peter Katina (2022)
Pianissimo / In termini estremi, Nº 5 book for piano and electronics a Alberto Rosado (2021)
Pochissimo / In termini estremi, Nº 4 book for piano and electronics a Alberto Rosado (2020)
Zefiro, dal lamento alla gelosia for oboe and electronics. A Aitor Llimerá (2020)
Adagissimo / In termini estremi, Nº 3 book for piano and electronics a Alfonso Gómez (2019)
Sefarad for soprano sax and fixed media (2019)
Dolcissimo / In termini estremi, Nº 1 book for piano and electronics a Víctor Trescolí (2018)
Legatissimo / In termini estremi, Nº 2 book for piano and electronics a Alberto Rosado (2018)

Instrumental Music

12 preludios en forma de retrato 12 preludios en forma de retrato, para piano (2020)
Berceuse "Cómo amaestrar, distraer y convencer a una sardina" for piano (2020)

Solo Instrument

Berceuse "Cómo amaestrar, distraer y convencer a una sardina" for piano (2020)
12 preludios en forma de retrato 12 preludios en forma de retrato, para piano (2020)
Adagissimo / In termini estremi, Nº 3 book for piano and electronics a Alfonso Gómez (2019)
Berceuse "Cómo amaestrar, distraer y convencer a una sardina" for piano (2020)
Buffo to Peter Katina (2022)
Dolcissimo / In termini estremi, Nº 1 book for piano and electronics a Víctor Trescolí (2018)
Il sogno de'll angelo to Sergej Tchirkov (2022)
Legatissimo / In termini estremi, Nº 2 book for piano and electronics a Alberto Rosado (2018)
Loving with robots for tenor sax, electronics and video (2023)
Pianissimo / In termini estremi, Nº 5 book for piano and electronics a Alberto Rosado (2021)
Pochissimo / In termini estremi, Nº 4 book for piano and electronics a Alberto Rosado (2020)
Sefarad for soprano sax and fixed media (2019)
Zefiro, dal lamento alla gelosia for oboe and electronics. A Aitor Llimerá (2020)