José-Luis Hurtado
Play all audio recordingsComposer José-Luis Hurtado’s music has been performed across continents by ensembles and soloists such as the Boston Modern Orchestra Project, JACK Quartet, International Contemporary Ensemble, Talea Ensemble, Earplay Ensemble, Juilliard Ensemble, New York Miniaturist Ensemble, Seattle Chamber Players, Iowa CNM Ensemble, Callithumpian Consort, The Ikarus Chamber Players, SEM Ensemble, Sigma Project Sax Quartet, The North/South Consonance Chamber Orchestra, Interensemble, Concorde Ensemble, Quinteto Latino, Ensamble 3, Ensamble Ónix, Versus 8 Percussion Quartet, Orquesta Uninorte, Orquesta Sinfónica de Guanajuato, Orquesta Sinfónica de San Luis Potosí, Camerata de las Amérícas, CEPROMUSIC Ensemble, Piedmont East Bay Children’s Choir, Quatuor Molinari, Pierrot Lunaire Ensemble Wien, Émile Girard-Charest, Lora Kmieliauskaite, Tony Arnold, Garth Knox, Claire Chase, Camilla Hoitenga, Le Nouvel Ensemble Moderne and the Arditti String Quartet among others.
He has been the recipient of the Kompositionspreis der Stadt Wolkersdorf (Austria), the Harvard University Green Prize for Excellence in Composition (USA), the Rodolfo Halffter Ibero American Composition Prize, The Adelbert W. Sprague Prize (USA), The George Arthur Knight Prize (USA), the Micro-Jornadas de Composición y Música Contemporánea Prize (Argentina), the Julián Carrillo Composition Prize (Mexico), El Premio Estatal de Composición del Festival Internacional de Música Contemporánea de Michoacán (Mexico), the José Tocavén Lavín Medal in recognition of his artistic trajectory, 2nd prize in the Troisieme Concours International de composition du Quatuor Molinari (Canada), 2nd prize in the Ariel Piano Composition Competition, Third Prize Winner of the National SCI/ASCAP Composition Competition, and finalist of The Earplay Composition Competition, the Look & Listen Festival Composition Competition and The Jeunesses International Composition Competition (Romania). Grants include those from the National Endowment for the Arts of Mexico, the American Music Center, the National Association of Latino Arts and Cultures (USA), Ibermúsicas, the Civitella Ranieri Foundation (Italy), and the Simon Guggenheim Memorial Foundation. He has just been named member of the prestigious Sistema Nacional de Creadores grant in recognition of a distinguished artistic trajectory. The SNCA is a government supported program that converges the most renown artists of Mexico, including writers, visual artists, dancers, film makers, and composers.
His second CD portrait, which features NY based Talea Ensemble performing six of his most recent compositions, has just been released by Kairos. Many of his works can be heard on ATMA Clasique (Canada), New Focus Recordings (USA), Con Brio Records (USA) and Urtext (Mexico). His music is published and distributed by Babel Scores, a french publisher specialist in new music.
In addition to his compositional career, he is highly active as a pianist and music advocate. He is the pianist of Low Frequency Trio (Contemporary Bass clarinet, double bass, and piano ensemble), founding member of áltaVoz (Latin-American composers collaborative in the U.S), and former director of The Harvard Group for New Music.
Hurtado holds degrees in piano performance and composition from Conservatorio de las Rosas (Morelia, Mexico), a Master of Music in Composition from Universidad Veracruzana (Xalapa, Mexico) and a Ph.D. from Harvard University where he studied under Mario Davidovsky, Chaya Czernowin, Magnus Lindberg, Brian Ferneyhough and Helmut Lachenmann.
Hurtado is currently Full Professor of Theory and Composition at the University of New Mexico where he teaches courses in theory and composition, directs the Music from the Americas Concert Series, and the New Music New Mexico Contemporary Ensemble.
He has been the recipient of the Kompositionspreis der Stadt Wolkersdorf (Austria), the Harvard University Green Prize for Excellence in Composition (USA), the Rodolfo Halffter Ibero American Composition Prize, The Adelbert W. Sprague Prize (USA), The George Arthur Knight Prize (USA), the Micro-Jornadas de Composición y Música Contemporánea Prize (Argentina), the Julián Carrillo Composition Prize (Mexico), El Premio Estatal de Composición del Festival Internacional de Música Contemporánea de Michoacán (Mexico), the José Tocavén Lavín Medal in recognition of his artistic trajectory, 2nd prize in the Troisieme Concours International de composition du Quatuor Molinari (Canada), 2nd prize in the Ariel Piano Composition Competition, Third Prize Winner of the National SCI/ASCAP Composition Competition, and finalist of The Earplay Composition Competition, the Look & Listen Festival Composition Competition and The Jeunesses International Composition Competition (Romania). Grants include those from the National Endowment for the Arts of Mexico, the American Music Center, the National Association of Latino Arts and Cultures (USA), Ibermúsicas, the Civitella Ranieri Foundation (Italy), and the Simon Guggenheim Memorial Foundation. He has just been named member of the prestigious Sistema Nacional de Creadores grant in recognition of a distinguished artistic trajectory. The SNCA is a government supported program that converges the most renown artists of Mexico, including writers, visual artists, dancers, film makers, and composers.
His second CD portrait, which features NY based Talea Ensemble performing six of his most recent compositions, has just been released by Kairos. Many of his works can be heard on ATMA Clasique (Canada), New Focus Recordings (USA), Con Brio Records (USA) and Urtext (Mexico). His music is published and distributed by Babel Scores, a french publisher specialist in new music.
In addition to his compositional career, he is highly active as a pianist and music advocate. He is the pianist of Low Frequency Trio (Contemporary Bass clarinet, double bass, and piano ensemble), founding member of áltaVoz (Latin-American composers collaborative in the U.S), and former director of The Harvard Group for New Music.
Hurtado holds degrees in piano performance and composition from Conservatorio de las Rosas (Morelia, Mexico), a Master of Music in Composition from Universidad Veracruzana (Xalapa, Mexico) and a Ph.D. from Harvard University where he studied under Mario Davidovsky, Chaya Czernowin, Magnus Lindberg, Brian Ferneyhough and Helmut Lachenmann.
Hurtado is currently Full Professor of Theory and Composition at the University of New Mexico where he teaches courses in theory and composition, directs the Music from the Americas Concert Series, and the New Music New Mexico Contemporary Ensemble.
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Ordered by year. Most recent works appears first
for alto or bass flute, piano, and fixed media
José-Luis Hurtado
for four percussion soloists, fixed media and any number of participants
José-Luis Hurtado
for two to six pianists in a one or two pianos
José-Luis Hurtado
for violin soloist and fourteen performers
José-Luis Hurtado
for fifteen instruments
José-Luis Hurtado
for piano and fixed media
José-Luis Hurtado
for a group of seven variable instrumentalists
José-Luis Hurtado
for children's choir
José-Luis Hurtado
for prepared piano
José-Luis Hurtado
for piano soloist and large ensemble
José-Luis Hurtado
for string quartet
José-Luis Hurtado
for beginner pianist
José-Luis Hurtado
for beginner pianist
José-Luis Hurtado
Results 1 - 13 of 13
Instrumental Music
1975 for alto or bass flute, piano, and fixed media (2018)
Hanging mobile for two to six pianists in a one or two pianos (2017)
Stabiles III for violin soloist and fourteen performers (2017)
Stabiles I for fifteen instruments (2016)
Retour for a group of seven variable instrumentalists (2013)
Intermezzo for prepared piano (2009)
Letargo e Instante for piano soloist and large ensemble (2009)
L'ardito e quasi stridente gesto for string quartet (2006)
Tre Piezitas Op.15 for beginner pianist (2001)
Mínima for beginner pianist (1995)
Percussion Ensemble
The exerting forces of Theia and Gaia for four percussion soloists, fixed media and any number of participants (2018)
Chamber Ensemble (5 - 9 instruments)
The exerting forces of Theia and Gaia for four percussion soloists, fixed media and any number of participants (2018)
Hanging mobile for two to six pianists in a one or two pianos (2017)
Retour for a group of seven variable instrumentalists (2013)
Ensemble (10 - 19 instruments)
Stabiles III for violin soloist and fourteen performers (2017)
Stabiles I for fifteen instruments (2016)
Letargo e Instante for piano soloist and large ensemble (2009)
Solo Instrument
Intermezzo for prepared piano (2009)
Tre Piezitas Op.15 for beginner pianist (2001)
Mínima for beginner pianist (1995)
1975 for alto or bass flute, piano, and fixed media (2018)
Hanging mobile for two to six pianists in a one or two pianos (2017)
Intermezzo for prepared piano (2009)
L'ardito e quasi stridente gesto for string quartet (2006)
Le Stelle for piano and fixed media (2015)
Letargo e Instante for piano soloist and large ensemble (2009)
Mar Eterno for children's choir (2011)
Mínima for beginner pianist (1995)
Retour for a group of seven variable instrumentalists (2013)
Stabiles I for fifteen instruments (2016)
Stabiles III for violin soloist and fourteen performers (2017)
The exerting forces of Theia and Gaia for four percussion soloists, fixed media and any number of participants (2018)
Tre Piezitas Op.15 for beginner pianist (2001)
Hanging mobile for two to six pianists in a one or two pianos (2017)
Intermezzo for prepared piano (2009)
L'ardito e quasi stridente gesto for string quartet (2006)
Le Stelle for piano and fixed media (2015)
Letargo e Instante for piano soloist and large ensemble (2009)
Mar Eterno for children's choir (2011)
Mínima for beginner pianist (1995)
Retour for a group of seven variable instrumentalists (2013)
Stabiles I for fifteen instruments (2016)
Stabiles III for violin soloist and fourteen performers (2017)
The exerting forces of Theia and Gaia for four percussion soloists, fixed media and any number of participants (2018)
Tre Piezitas Op.15 for beginner pianist (2001)