J-T Vesikkala Wittmacher
Play all audio recordingsJ-T (Juhani Topias) Vesikkala Wittmacher was born in Helsinki in 1990 and works as a composer, baritone singer, multi-instrumentalist, teacher and writer of music. As of 2022, Vesikkala has a doctoral degree in composition (PhD) from HAMU, Prague. Vesikkala completed a Master’s degree at the Sibelius Academy with T. Nevanlinna and V. Puumala. Between 2012 and 2013, Vesikkala studied with Beat Furrer and Pierluigi Billone in Kunstuniversität Graz, as well as electroacoustic composition at the IEM.
Compositions spanning most acoustic genres, electronic, comprovisation, and intermedial music have been performed worldwide, since 2002 when Vesikkala studied with J. Trbojević and L. Wennäkoski. An extensive thesis on integrated piano multiphonic flageolets research from Vesikkala’s previous 2015 Florence acoustics congress paper was published in 2016. Vesikkala has taught the topic of timbral composition and analysis, the same topic of the recent dissertation The Noise–Pitch Continuum in Timbral Music, as a part-time teacher at the Sibelius Academy during 2022. Competition victories include DYCE 2019 and 2020 as well as the Uuno Klami Young Composers' Competition in 2007.
Vesikkala's recent work has concentrated on instrumental noise and free microintervallic music, also as a curator of microtonal festivals in the international MicroFest format.
Compositions spanning most acoustic genres, electronic, comprovisation, and intermedial music have been performed worldwide, since 2002 when Vesikkala studied with J. Trbojević and L. Wennäkoski. An extensive thesis on integrated piano multiphonic flageolets research from Vesikkala’s previous 2015 Florence acoustics congress paper was published in 2016. Vesikkala has taught the topic of timbral composition and analysis, the same topic of the recent dissertation The Noise–Pitch Continuum in Timbral Music, as a part-time teacher at the Sibelius Academy during 2022. Competition victories include DYCE 2019 and 2020 as well as the Uuno Klami Young Composers' Competition in 2007.
Vesikkala's recent work has concentrated on instrumental noise and free microintervallic music, also as a curator of microtonal festivals in the international MicroFest format.
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Ordered by year. Most recent works appears first
(2019-2020, op. 50) for sextet fl. / bfl., cl. / bcl., perc ., pf ., vl., vc .
J-T Vesikkala Wittmacher
(2019, op. 47) for organ with half-drawn registrations, and registration assistants
J-T Vesikkala Wittmacher
(2018, op. 43) for amplified concert kantele and sordinoed cello.
J-T Vesikkala Wittmacher
(2017, op. 36) Dedicated to the memory of Jovanka Trbojević.
J-T Vesikkala Wittmacher
(2017, op. 37) Catalogue of Mutual Vices. Five comprovisations for accordion and soprano saxophone.
J-T Vesikkala Wittmacher
(2014, op. 18) Hommage à On Kawara (1933-2014) for piano
J-T Vesikkala Wittmacher
(2010-2011, op.3) duo for violin and acoustic guitar
J-T Vesikkala Wittmacher
Results 1 - 7 of 7
Chamber Ensemble (5 - 9 instruments)
Into these worldless houses (2019-2020, op. 50) for sextet fl. / bfl., cl. / bcl., perc ., pf ., vl., vc . (2020)
Solo Instrument
Wahnsinnspfeiff (2019, op. 47) for organ with half-drawn registrations, and registration assistants (2019)
Avalokiteśvara (2017, op. 36) Dedicated to the memory of Jovanka Trbojević. (2017)
Readings. Kawara (2014, op. 18) Hommage à On Kawara (1933-2014) for piano (2014)
Chamber Group ( 2 - 4 instruments )
In which the low-hanging fruit is casually derailed (2018, op. 43) for amplified concert kantele and sordinoed cello. (2018)
Zweier Lasterkatalog (2017, op. 37) Catalogue of Mutual Vices. Five comprovisations for accordion and soprano saxophone. (2017)
ColoCordatura (2010-2011, op.3) duo for violin and acoustic guitar (2011)
Avalokiteśvara (2017, op. 36) Dedicated to the memory of Jovanka Trbojević. (2017)
ColoCordatura (2010-2011, op.3) duo for violin and acoustic guitar (2011)
In which the low-hanging fruit is casually derailed (2018, op. 43) for amplified concert kantele and sordinoed cello. (2018)
Into these worldless houses (2019-2020, op. 50) for sextet fl. / bfl., cl. / bcl., perc ., pf ., vl., vc . (2020)
Readings. Kawara (2014, op. 18) Hommage à On Kawara (1933-2014) for piano (2014)
Wahnsinnspfeiff (2019, op. 47) for organ with half-drawn registrations, and registration assistants (2019)
Zweier Lasterkatalog (2017, op. 37) Catalogue of Mutual Vices. Five comprovisations for accordion and soprano saxophone. (2017)
ColoCordatura (2010-2011, op.3) duo for violin and acoustic guitar (2011)
In which the low-hanging fruit is casually derailed (2018, op. 43) for amplified concert kantele and sordinoed cello. (2018)
Into these worldless houses (2019-2020, op. 50) for sextet fl. / bfl., cl. / bcl., perc ., pf ., vl., vc . (2020)
Readings. Kawara (2014, op. 18) Hommage à On Kawara (1933-2014) for piano (2014)
Wahnsinnspfeiff (2019, op. 47) for organ with half-drawn registrations, and registration assistants (2019)
Zweier Lasterkatalog (2017, op. 37) Catalogue of Mutual Vices. Five comprovisations for accordion and soprano saxophone. (2017)