Lucie Prod'homme
Play all audio recordingsAs a composer and teacher, Lucie Prod'homme divides her time between teaching and creation.
Collaboration and exchanges with other musicians, visual artists, film makers, sculptors and writers frequently lead her to new sonic adventures which stir and stimulate her curious ears, and allow her to share the energy at the core of her composition work. Consequently, her varied catalog of acousmatic, mixed and instrumental compositions includes concert pieces, radio pieces, applied music (such as dance, installations, and video), and music for young interpreters, among others.
She has been commissioned by Radio France (Festival Présence), the INA-GRM, Musiques démesurées Festival, J. Raynaut's "Musique d'Aujourd'hui" workshop, the Ubris Studio, the Earagail Arts Festival (Ireland), the MIM (Laboratoire Musique et Informatique de Marseille), the ACLM, Teatropera, the EMMDAL in Vitrolles, the Musiques Inventives in Annecy (French state commission)…
Her music has also been played on France Musique Radio (Le cri du Patchwork), and at various venues and festivals such as Futura Festival, Klang Festival, Sounds French Festival (Electronic Music Fondation - New-York), Signale Graz Festival (Autria), En Chair et en Son Festival, Turbulences sonores, the Vasarely Fondation, the GMEM, Ad ognuno la sua p’arte (Italia), Octandre's concerts, the GMVL, etc.
As research and composition have always been inseparable for her, she has been an active member of the MIM (the Music and computer laboratory of Marseille) from 1996 to 2008, where she participated in the elaboration of a new music analysis tool, the Temporal Semiotic Units (TSU), and developed several pedagogical applications of this tool. More recently, she has been working on the role of silence in music, investigating ways in which audible and silent energy can be integrated to music composition, such as in her acousmatic cycle Leçon du Silence.
Lucie Prod'homme is the instrumental and electroacoustic composition teacher at the Conservatoire de musique in Perpignan, France. She regularly gives lectures and training courses in electroacoustic music, contemporary music, and free improvisation as a pedagogical tool.
She is the current president of the AECME, the Association of Electroacoustic Composition Teachers in France.
Ensemble (Instruments or Voices) and Real Time Electronics
Des espoirs Pour clarinette basse (à l’ut) et support audio (2022)
Soloist (Instrument or Voice) and Fixed Electronic Media
Effet d’annonce pour voix (homme ou femme), piano et support audio (2021)
Le piano sans maître Pour piano à 4 mains et support audio - 6'06- 2011 (2011)
Ensemble (Instruments or Voices) and Fixed Electronic Media
Par-delà les nuages Pour clarinette en sib, piano et support audio - 5'42 - 2010 (2010)
Je vous l'enveloppe? Pour clarinette en sib, alto, piano et support audio (2008)
Contre bande Pour clarinette en sib, piano et support audio - 5'29 (2004)
Vénus Pour soprano et support audio - 11'18 -2002 (2002)
Des espoirs Pour clarinette basse (à l’ut) et support audio (2022)
Effet d’annonce pour voix (homme ou femme), piano et support audio (2021)
Je vous l'enveloppe? Pour clarinette en sib, alto, piano et support audio (2008)
Le piano sans maître Pour piano à 4 mains et support audio - 6'06- 2011 (2011)
Par-delà les nuages Pour clarinette en sib, piano et support audio - 5'42 - 2010 (2010)
Vénus Pour soprano et support audio - 11'18 -2002 (2002)