Theocharis Papatrechas
Play all audio recordingsOriginally from Greece, Theocharis Papatrechas is a composer, music technologist, and sound artist based in Brisbane, Australia.
Praised as presenting "an intimate narrative" and attaining "beautiful instrumental intensity" (il giornale della musica), Theocharis's music arises from a search for reasons and sound images that resonate internally. His creative practice masters and utilizes technology to expand sonic possibilities and engage audiences in immersive auditory experiences. His artistic portfolio consists of instrumental, electroacoustic, acousmatic, sound art, and sound installation works that involve acoustic components, pre-recorded media, and generative and interactive processes, employing Dante networking systems and ambisonics in multichannel venues.
Renowned groups that have commissioned and premiered his works include the ensemble Intercontemporain, Nouvel Ensemble Moderne, Mivos Quartet, Vertixe Sonora, Ensemble Schallfeld, East Coast Contemporary Ensemble (ECCE), Divertimento Ensemble, Ensemble Multilatérale. Notable venues, at which works of his have been presented, include IRCAM, CCRMA at Stanford, SEAMUS at Berklee College, Anchorage Museum, SPLICE Institute, New York City Electroacoustic Music Festival (NYCEMF), Vienna Konzerthaus, SpazioMusica, University of Montreal, and Shanghai Music Conservatory.
Hired to diffuse his artistic practice into scientific projects and contribute to the ever-growing research community in acoustics, Theocharis has held appointments at the California Institute for Telecommunications and Information Technology (Postdoctoral Scholar), Scripps Institution of Oceanography (Research Associate), and Center for New Music & Audio Technologies (CNMAT) at UC Berkeley (Visiting Composers and Researcher). His work deals with acoustic data from underwater and terrestrial environments and, through applying research on acoustics, audio engineering, sound synthesis, and spatial 3D and VR audio, purposes to formulate a broader understanding of the impacts of climate change on the environment.
Theocharis holds a Ph.D. in Music Composition from University of California San Diego (UCSD) where he worked with Rand Steiger, Lei Liang, and Miller Puckette. Other leading institutions he studied at include the Eastman School of Music, IRCAM, and Sibelius Academy.
His music has been released by ArsPublica. His scores are published by Babel Scores. Since 2015, Theocharis serves as the Artistic Director of the ilSUONO Contemporary Music Week. The program's core mission is to diversify the practice by bringing together emerging music creators of diverse socio-economic backgrounds, ethnicities, cultures, gender orientations, and aesthetics to learn, share, and collaborate. ilSUONO is delighted to have invited exceptional senior composers, among others, Chaya Czernowin, Pierluigi Billone, Franck Bedrossian, Ann Cleare, Rand Steiger, Edmund Campion, Clara Iannotta, and performers such as the ensembles Schallfeld and Lemniscate. The 21', 22', and 23' editions were funded by the esteemed Ernst Von Siemens Music Foundation.
Currently, he is a sessional lecturer at the Queensland Conservatorium Griffith University teaching Music Theory & Aural Studies and at the University of Queensland teaching Music Technology.
Praised as presenting "an intimate narrative" and attaining "beautiful instrumental intensity" (il giornale della musica), Theocharis's music arises from a search for reasons and sound images that resonate internally. His creative practice masters and utilizes technology to expand sonic possibilities and engage audiences in immersive auditory experiences. His artistic portfolio consists of instrumental, electroacoustic, acousmatic, sound art, and sound installation works that involve acoustic components, pre-recorded media, and generative and interactive processes, employing Dante networking systems and ambisonics in multichannel venues.
Renowned groups that have commissioned and premiered his works include the ensemble Intercontemporain, Nouvel Ensemble Moderne, Mivos Quartet, Vertixe Sonora, Ensemble Schallfeld, East Coast Contemporary Ensemble (ECCE), Divertimento Ensemble, Ensemble Multilatérale. Notable venues, at which works of his have been presented, include IRCAM, CCRMA at Stanford, SEAMUS at Berklee College, Anchorage Museum, SPLICE Institute, New York City Electroacoustic Music Festival (NYCEMF), Vienna Konzerthaus, SpazioMusica, University of Montreal, and Shanghai Music Conservatory.
Hired to diffuse his artistic practice into scientific projects and contribute to the ever-growing research community in acoustics, Theocharis has held appointments at the California Institute for Telecommunications and Information Technology (Postdoctoral Scholar), Scripps Institution of Oceanography (Research Associate), and Center for New Music & Audio Technologies (CNMAT) at UC Berkeley (Visiting Composers and Researcher). His work deals with acoustic data from underwater and terrestrial environments and, through applying research on acoustics, audio engineering, sound synthesis, and spatial 3D and VR audio, purposes to formulate a broader understanding of the impacts of climate change on the environment.
Theocharis holds a Ph.D. in Music Composition from University of California San Diego (UCSD) where he worked with Rand Steiger, Lei Liang, and Miller Puckette. Other leading institutions he studied at include the Eastman School of Music, IRCAM, and Sibelius Academy.
His music has been released by ArsPublica. His scores are published by Babel Scores. Since 2015, Theocharis serves as the Artistic Director of the ilSUONO Contemporary Music Week. The program's core mission is to diversify the practice by bringing together emerging music creators of diverse socio-economic backgrounds, ethnicities, cultures, gender orientations, and aesthetics to learn, share, and collaborate. ilSUONO is delighted to have invited exceptional senior composers, among others, Chaya Czernowin, Pierluigi Billone, Franck Bedrossian, Ann Cleare, Rand Steiger, Edmund Campion, Clara Iannotta, and performers such as the ensembles Schallfeld and Lemniscate. The 21', 22', and 23' editions were funded by the esteemed Ernst Von Siemens Music Foundation.
Currently, he is a sessional lecturer at the Queensland Conservatorium Griffith University teaching Music Theory & Aural Studies and at the University of Queensland teaching Music Technology.
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Ordered by year. Most recent works appears first
for baritone saxophone, percussion, double bass, and electronics
Theocharis Papatrechas
for ensemble and electronics
Theocharis Papatrechas
for amplified percussion and electronics
Theocharis Papatrechas
for piano, fixed media, live electronics, and sound diffusion
Theocharis Papatrechas
for bass flute, trumpet in Bb, viola
Theocharis Papatrechas
for five double-basses
Theocharis Papatrechas
for alto flute, saxophones, percussion, piano
Theocharis Papatrechas
for bass clarinet, violin, cello, and live electronics
Theocharis Papatrechas
for alto flute, saxophones, percussion, piano, cello, and bass
Theocharis Papatrechas
for soprano, alto saxophone, piano
Theocharis Papatrechas
for staged amplified saxophonist, amplified alto saxophone, and a tenor sax mouthpiece
Theocharis Papatrechas
for Large Ensemble
Theocharis Papatrechas
for four violas
Theocharis Papatrechas
for flute, clarinet, percussion, violin, cello
Theocharis Papatrechas
for String Quartet
Theocharis Papatrechas
for orchestra
Theocharis Papatrechas
for 3 percussionists
Theocharis Papatrechas
Results 1 - 17 of 17
Chamber Group ( 2 - 4 instruments )
STATO ESOTERICO II (2024) for baritone saxophone, percussion, double bass, and electronics (2024)
Now our world does descend for bass flute, trumpet in Bb, viola (2018)
Doomed to its paralysed eternity for alto flute, saxophones, percussion, piano (2016)
Indiscriminately for soprano, alto saxophone, piano (2014)
Tetractys for four violas (2013)
Le Radeau de la Méduse for String Quartet (2012)
Metrikon for 3 percussionists (2009)
Soloist (Instrument or Voice) and Fixed Electronic Media
Minute | from within for amplified percussion and electronics (2020)
Instruments and Electronics
Imma for ensemble and electronics (2022)
Minute | from within for amplified percussion and electronics (2020)
Grit for piano, fixed media, live electronics, and sound diffusion (2019)
Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)
Chamber Ensemble (5 - 9 instruments)
Nycto- for five double-basses (2017)
[d]ifférance III: aporetics for alto flute, saxophones, percussion, piano, cello, and bass (2015)
Trastorno for flute, clarinet, percussion, violin, cello (2013)
Ensemble (Instruments or Voices) and Real Time Electronics
Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)
Solo Instrument
...aspettando... for staged amplified saxophonist, amplified alto saxophone, and a tenor sax mouthpiece (2014)
...aspettando... for staged amplified saxophonist, amplified alto saxophone, and a tenor sax mouthpiece (2014)
Doomed to its paralysed eternity for alto flute, saxophones, percussion, piano (2016)
Golgotha for orchestra (2011)
Grit for piano, fixed media, live electronics, and sound diffusion (2019)
Imma for ensemble and electronics (2022)
Indiscriminately for soprano, alto saxophone, piano (2014)
L'esprit de l'escalier for Large Ensemble (2014)
Le Radeau de la Méduse for String Quartet (2012)
Metrikon for 3 percussionists (2009)
Minute | from within for amplified percussion and electronics (2020)
Now our world does descend for bass flute, trumpet in Bb, viola (2018)
Nycto- for five double-basses (2017)
Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)
STATO ESOTERICO II (2024) for baritone saxophone, percussion, double bass, and electronics (2024)
Tetractys for four violas (2013)
Trastorno for flute, clarinet, percussion, violin, cello (2013)
[d]ifférance III: aporetics for alto flute, saxophones, percussion, piano, cello, and bass (2015)
Doomed to its paralysed eternity for alto flute, saxophones, percussion, piano (2016)
Golgotha for orchestra (2011)
Grit for piano, fixed media, live electronics, and sound diffusion (2019)
Imma for ensemble and electronics (2022)
Indiscriminately for soprano, alto saxophone, piano (2014)
L'esprit de l'escalier for Large Ensemble (2014)
Le Radeau de la Méduse for String Quartet (2012)
Metrikon for 3 percussionists (2009)
Minute | from within for amplified percussion and electronics (2020)
Now our world does descend for bass flute, trumpet in Bb, viola (2018)
Nycto- for five double-basses (2017)
Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)
STATO ESOTERICO II (2024) for baritone saxophone, percussion, double bass, and electronics (2024)
Tetractys for four violas (2013)
Trastorno for flute, clarinet, percussion, violin, cello (2013)
[d]ifférance III: aporetics for alto flute, saxophones, percussion, piano, cello, and bass (2015)