Fragility's dementia
Dedicated to the Ensemble L'Imaginaire
10,30 €
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Specifications
Region
Europe
Estimated Duration
11 - 15min
Date
2019
ISMN : 979-0-2325-5825-7
Notes on this piece
L'Imaginaire revient au front.Tempête, tornade, sifflements étranges venus du piano...Le pianiste, chercheur de sons, orpailleur, le corps dans l'instrument immergé!
Performance note written by the composer:
The interpreter must take special care to achieve the connections of "imitation timbre" and overlapping between the instruments. Since usually during this work the different effects of the different instruments are associated as timbric analogies that in their correlation create a discourse and narrative where its axis is the sonorous matter itself. (For example, the Kiss held with wet lips extreme noisy on the sax and the scratch on the strings measure 80). On the other hand, although continuing in the same search, it is a piece that works within the limits of sound energy. Therefore, in the FFF, the interpreter must go to a brutal and violent extreme. While in PPPP you really should work in barely inaudible states. It is indispensable for the correct interpretation the detail in each individual timbre. The dynamic balance is fundamental.
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Review by Geneviève Charras :
L'Imaginaire revient au front.Tempête, tornade, sifflements étranges venus du piano...Le pianiste, chercheur de sons, orpailleur, le corps dans l'instrument immergé!
Chahut et vacarme assuré, plein de ruptures, d'effondrements fructueux: incroyables possibilités sonores issues, sorties du piano, manipulé, trituré dans le moindre détail de sa carcasse. Les touches comme des parties d'exosquelette parmi la fouille de ses entrailles surmenées.
Musique viscérale, organique, tripes au poing, souffles des vents en osmose pour attiser le tout.
The interpreter must take special care to achieve the connections of "imitation timbre" and overlapping between the instruments. Since usually during this work the different effects of the different instruments are associated as timbric analogies that in their correlation create a discourse and narrative where its axis is the sonorous matter itself. (For example, the Kiss held with wet lips extreme noisy on the sax and the scratch on the strings measure 80). On the other hand, although continuing in the same search, it is a piece that works within the limits of sound energy. Therefore, in the FFF, the interpreter must go to a brutal and violent extreme. While in PPPP you really should work in barely inaudible states. It is indispensable for the correct interpretation the detail in each individual timbre. The dynamic balance is fundamental.
Instrumentation
Baritone Saxophone|Piano|Bass flute
Recording
Interpretation- Ensemble L'Imaginaire
Date- 2/5/2019 live recording
Hall- La Cité de la musique et de la danse de Strasbourg
Date- 2/5/2019 live recording
Hall- La Cité de la musique et de la danse de Strasbourg
Score Details
Format - A4 / US Letter
Pages - 24
Pages - 24
