String Quartet No.3
Vln.1, Vln.2, Vla., Cello.
I. Dis-continuum.
II. Grain-Carré.
III. Direct-Dimensional.
I. Dis-continuum.
II. Grain-Carré.
III. Direct-Dimensional.
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Specifications
Region
Latinoamérica
Estimated Duration
31 - 40min
Date
2015
ISMN : 979-0-2325-6303-9
Videos on this piece
Notes on this piece String Quartet Nr. 3 in 3 movements (10 min. each) by Salvador Torré
In the String Quartet it has been practiced throughout the history of music the aspect of Laboratory of Forms, laboratory of Writings, of Methods, of Styles, of Compositional Substrates etc. using old methods arises from the canonical imitative forms counterpoint or harmony, all combined with the today languages, the infinity of music we hear today from which, for me the Rock music is very important, as well as electroacoustic practices are evident in this quartet, mixtures and super-positions of elements in a space time either compacted or expanded, micro-imitations are now a days called “delays” or “echoes”. Different distortions caused by the ways of attacking, rub, pull hitting different parts of the instrument etc. All this adding an important element today: Improvisation, the interpreter then is enrolled in a state of freedom, but because we are speaking on classical music, this classical style provides the concept of structure, it brings a certain rigorous form. This generates an open-closed form, hence the title of this quartet "Dis-continuum" in a certain way the “continuous” is due to the improvisation and the “discontinuous” is associated to the form or structure proposed in the score.
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In the String Quartet it has been practiced throughout the history of music the aspect of Laboratory of Forms, laboratory of Writings, of Methods, of Styles, of Compositional Substrates etc. using old methods arises from the canonical imitative forms counterpoint or harmony, all combined with the today languages, the infinity of music we hear today from which, for me the Rock music is very important, as well as electroacoustic practices are evident in this quartet, mixtures and super-positions of elements in a space time either compacted or expanded, micro-imitations are now a days called “delays” or “echoes”. Different distortions caused by the ways of attacking, rub, pull hitting different parts of the instrument etc. All this adding an important element today: Improvisation, the interpreter then is enrolled in a state of freedom, but because we are speaking on classical music, this classical style provides the concept of structure, it brings a certain rigorous form. This generates an open-closed form, hence the title of this quartet "Dis-continuum" in a certain way the “continuous” is due to the improvisation and the “discontinuous” is associated to the form or structure proposed in the score.
Instrumentation
Violin (2)|Viola|Cello
Score Details
Format - Undefined
Pages - 38
Pages - 38
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