Al is klar
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Specifications
Region
Europe
Estimated Duration
11 - 15min
Date
2012
ISMN : 979-0-2325-0680-7
In Stock
Notes on this piece
"The only thing the reader will see marching past him are inadequate means: fragments, allusions, strivings, investigations. Do not try to find a well-polished sentence or a perfectly coherent image in it, what is printed on the pages is an embarrassed word, a stuttering..."
[Andrei Biely, Carnets d'un toqué]
[all/none] of this happens elsewhere.?that little is clear.?a tree. a broken arch.?if I were to open my eyes I'd be a stranger.
what can I make [in/of] this place?
[peer an instant. hobble. on]
precious little. that much is clear.
time now, little. inside. away.
[Piaras Hoban]
For me, the way was duration. Duration as the primary means of articulation/expression in harpsichord music. Duration leads to different temporalities: a temporal structure which extends cyclically through time; temporal phenomena which articulate an instantaneous experience of the present; fragments of the past. Another impetus: O'Riada and the harpsichord. What is my relation to this European tradition? What can I say to it if I say I am not of it?
"The only thing the reader will see marching past him are inadequate means: fragments, allusions, strivings, investigations. Do not try to find a well-polished sentence or a perfectly coherent image in it, what is printed on the pages is an embarrassed word, a stuttering..."
[Andrei Biely, Carnets d'un toqué]
[all/none] of this happens elsewhere.?that little is clear.?a tree. a broken arch.?if I were to open my eyes I'd be a stranger.
what can I make [in/of] this place?
[peer an instant. hobble. on]
precious little. that much is clear.
time now, little. inside. away.
[Piaras Hoban]
For me, the way was duration. Duration as the primary means of articulation/expression in harpsichord music. Duration leads to different temporalities: a temporal structure which extends cyclically through time; temporal phenomena which articulate an instantaneous experience of the present; fragments of the past. Another impetus: O'Riada and the harpsichord. What is my relation to this European tradition? What can I say to it if I say I am not of it?
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"The only thing the reader will see marching past him are inadequate means: fragments, allusions, strivings, investigations. Do not try to find a well-polished sentence or a perfectly coherent image in it, what is printed on the pages is an embarrassed word, a stuttering..."
[Andrei Biely, Carnets d'un toqué]
[all/none] of this happens elsewhere.?that little is clear.?a tree. a broken arch.?if I were to open my eyes I'd be a stranger.
what can I make [in/of] this place?
[peer an instant. hobble. on]
precious little. that much is clear.
time now, little. inside. away.
[Piaras Hoban]
For me, the way was duration. Duration as the primary means of articulation/expression in harpsichord music. Duration leads to different temporalities: a temporal structure which extends cyclically through time; temporal phenomena which articulate an instantaneous experience of the present; fragments of the past. Another impetus: O'Riada and the harpsichord. What is my relation to this European tradition? What can I say to it if I say I am not of it?
"The only thing the reader will see marching past him are inadequate means: fragments, allusions, strivings, investigations. Do not try to find a well-polished sentence or a perfectly coherent image in it, what is printed on the pages is an embarrassed word, a stuttering..."
[Andrei Biely, Carnets d'un toqué]
[all/none] of this happens elsewhere.?that little is clear.?a tree. a broken arch.?if I were to open my eyes I'd be a stranger.
what can I make [in/of] this place?
[peer an instant. hobble. on]
precious little. that much is clear.
time now, little. inside. away.
[Piaras Hoban]
For me, the way was duration. Duration as the primary means of articulation/expression in harpsichord music. Duration leads to different temporalities: a temporal structure which extends cyclically through time; temporal phenomena which articulate an instantaneous experience of the present; fragments of the past. Another impetus: O'Riada and the harpsichord. What is my relation to this European tradition? What can I say to it if I say I am not of it?
Instrumentation
harpsichord
Score Details
Format - A3 / Tabloid
Pages -
Pages -
