Robin Heifetz
Play all audio recordingsRobin Julian Heifetz did his doctoral studies in music composition at the University of Illinois at Urbana-Champaign where he studied with Profs. Salvatore Martirano, Herbert Brun, Ben Johnston and Scott Wyatt. While there, he was first exposed to the electroacoustic media; these learning experiences impacted profoundly on his creative thinking and largely directed him artistically ever since. He earned the doctorate in 1978.
At the postdoctoral level, he was a residency fellow to create music in the following facilities: (1) Stiftelsen Elektro-akustisk Musik i Sveriges, Stockholm, Sweden; (2) Computer Music Studio, Colgate University, Hamilton, NY, U.S.A.; (3) Sonic Research Laboratories, Simon Fraser University, Burnaby, BC, Canada; (4) School of Music, Tel Aviv University, Ramat Aviv, Israel; (5) Institute for Psychoacoustics and Electronic Music, Rijksuniversiteit-Gent, Belgium; (6) Sweelinck Conservatorium, Amsterdam, The Netherlands; and (7) Audio-Digital Laboratories, Vancouver, BC, Canada. He eventually served as an Assistant Professor in the Department of Musicology and the Director of the Center for Experimental Music of The Hebrew University of Jerusalem, Israel where he established that nationÕs first digital facility in 1982.
From 1986-98, Heifetz served as a contributing editor of The Journal for Electro-Acoustic Music in the United States. In 1989, he was the editor of the important anthology On the Wires of Our Nerves: The Art of Electroacoustic Music was published by the Bucknell University Press. Since 1998, his fixed media and mixed media compositions have appeared on the commercial CDs Electroshock Presents: Electroacoustic Music, Volumes II, V, VII and VIII of Electroshock Records in Moscow, Russia. In 2014, his two-CD collection Out of Kilter: Digital, Mixed Media and Text-Sound Compositions was released by Soundcarrier Music Network in Halifax, Nova Scotia, Canada.
At the postdoctoral level, he was a residency fellow to create music in the following facilities: (1) Stiftelsen Elektro-akustisk Musik i Sveriges, Stockholm, Sweden; (2) Computer Music Studio, Colgate University, Hamilton, NY, U.S.A.; (3) Sonic Research Laboratories, Simon Fraser University, Burnaby, BC, Canada; (4) School of Music, Tel Aviv University, Ramat Aviv, Israel; (5) Institute for Psychoacoustics and Electronic Music, Rijksuniversiteit-Gent, Belgium; (6) Sweelinck Conservatorium, Amsterdam, The Netherlands; and (7) Audio-Digital Laboratories, Vancouver, BC, Canada. He eventually served as an Assistant Professor in the Department of Musicology and the Director of the Center for Experimental Music of The Hebrew University of Jerusalem, Israel where he established that nationÕs first digital facility in 1982.
From 1986-98, Heifetz served as a contributing editor of The Journal for Electro-Acoustic Music in the United States. In 1989, he was the editor of the important anthology On the Wires of Our Nerves: The Art of Electroacoustic Music was published by the Bucknell University Press. Since 1998, his fixed media and mixed media compositions have appeared on the commercial CDs Electroshock Presents: Electroacoustic Music, Volumes II, V, VII and VIII of Electroshock Records in Moscow, Russia. In 2014, his two-CD collection Out of Kilter: Digital, Mixed Media and Text-Sound Compositions was released by Soundcarrier Music Network in Halifax, Nova Scotia, Canada.
Piezas ordenadas por año. Los trabajos mas recientes aparecen primero
For Bb clarinet and fixed media
Robin Heifetz
for Alto flute and fixed media
Robin Heifetz
for Tenor and fixed media
Robin Heifetz
For baritone saxophone and fixed media
Robin Heifetz
for soprano saxophone
Robin Heifetz
for tenor saxophone and electronics
Robin Heifetz
for mezzo soprano and piano
Robin Heifetz
for soprano saxophone and electronics
Robin Heifetz
for saxophone ensemble
Robin Heifetz
for ensemble
Robin Heifetz
for piano
Robin Heifetz
for piano
Robin Heifetz
for bass clarinet
Robin Heifetz
for alto saxophone
Robin Heifetz
for alto saxophone and electronics
Robin Heifetz
for violoncello and piano
Robin Heifetz
for two brass trios
Robin Heifetz
for Unspecified instruments and/or voices
Robin Heifetz
Resultados 1 - 18 de 18
Solista (Instrumento o Voz) y Medios Electrónicos Fijos
Devil in the details for Tenor and fixed media (2019)
The Bitterness of Absence Sour For Bb clarinet and fixed media (2019)
Solista (Instrumento o Voz) y Electrónica en Tiempo Real
Valiant Eye and the Politics of Distraction III for Alto flute and fixed media (2019)
In Lights Starkly Different for tenor saxophone and electronics (2017)
By fools luck and wise design for soprano saxophone and electronics (2014)
Caught In The Glare for alto saxophone and electronics (2003)
Instrumento y Electrónica
Unleash the Bottleneck For baritone saxophone and fixed media (2019)
Devil in the details for Tenor and fixed media (2019)
Valiant Eye and the Politics of Distraction III for Alto flute and fixed media (2019)
The Bitterness of Absence Sour For Bb clarinet and fixed media (2019)
In Lights Starkly Different for tenor saxophone and electronics (2017)
By fools luck and wise design for soprano saxophone and electronics (2014)
Cut to the Quick for saxophone ensemble (2011)
Caught In The Glare for alto saxophone and electronics (2003)
Of Flight and Darkness for two brass trios (1998)
Instrumento Solo
By Fool's Luck and Wise Design II for soprano saxophone (2018)
Lullaby for MacDowell for piano (2008)
Duck for Cover for bass clarinet (2007)
Whiteknuckle for piano (2007)
Split for alto saxophone (2006)
Grupo de Cámara ( 2 - 4 instrumentos )
Tears in the Sand for violoncello and piano (2001)
A Bird in Hand is Safer for Unspecified instruments and/or voices (1983)
A Bird in Hand is Safer for Unspecified instruments and/or voices (1983)
All of Us for mezzo soprano and piano (2016)
By Fool's Luck and Wise Design II for soprano saxophone (2018)
By fools luck and wise design for soprano saxophone and electronics (2014)
Caught In The Glare for alto saxophone and electronics (2003)
Cut to the Quick for saxophone ensemble (2011)
Devil in the details for Tenor and fixed media (2019)
Duck for Cover for bass clarinet (2007)
In Lights Starkly Different for tenor saxophone and electronics (2017)
Lullaby for MacDowell for piano (2008)
Of Flight and Darkness for two brass trios (1998)
Split for alto saxophone (2006)
Tears in the Sand for violoncello and piano (2001)
The Bitterness of Absence Sour For Bb clarinet and fixed media (2019)
Unleash the Bottleneck For baritone saxophone and fixed media (2019)
Valiant Eye and the Politics of Distraction III for Alto flute and fixed media (2019)
Whiteknuckle for piano (2007)
Whiteknuckle II for ensemble (2008)
All of Us for mezzo soprano and piano (2016)
By Fool's Luck and Wise Design II for soprano saxophone (2018)
By fools luck and wise design for soprano saxophone and electronics (2014)
Caught In The Glare for alto saxophone and electronics (2003)
Cut to the Quick for saxophone ensemble (2011)
Devil in the details for Tenor and fixed media (2019)
Duck for Cover for bass clarinet (2007)
In Lights Starkly Different for tenor saxophone and electronics (2017)
Lullaby for MacDowell for piano (2008)
Of Flight and Darkness for two brass trios (1998)
Split for alto saxophone (2006)
Tears in the Sand for violoncello and piano (2001)
The Bitterness of Absence Sour For Bb clarinet and fixed media (2019)
Unleash the Bottleneck For baritone saxophone and fixed media (2019)
Valiant Eye and the Politics of Distraction III for Alto flute and fixed media (2019)
Whiteknuckle for piano (2007)
Whiteknuckle II for ensemble (2008)