Bestiario: seis
for soprano, flute, clarinet, percussion & electronics
12,00 €
Versión impresa (+14,80 € impresión y envío). Colissimo7-14 days aprox.
Versión digital (+0,00 €) para descarga
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Especificaciones
Region
Latinoamérica
Estimated Duration
6 - 10min
Date
2021
ISMN : 979-0-2325-7008-2
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Descripción bestiary (noun) bes·ti·ary
| \ ˈbes-chē-ˌer-ē, -ˌe-rē, ˈbesh-, ˈbēs-, ˈbēsh-\
plural bestiaries
Definition of bestiary
1 : a medieval allegorical or moralizing work on the appearance and habits of real or imaginary animals
2a : a collection of descriptions or representations of real or imaginary animals b : an array of real humans or literary characters often having symbolic significance
Bestiario (“Bestiary”) is a collection of pieces in which the performers are asked to embody an imaginary animal through sound. This animal participates in the composition process as it gradually reveals itself in its sonic qualities which help dictate the work’s discourse (form, techniques, contrasts, gestures, etc.). This means that this imaginary animal has agency in the work, which leads me to make decisions that I would not have otherwise made.
In this sixth piece of the "Bestiario" cycle, I took a slightly different approach and used a non-imaginary animal as a collaborator. The musical qualities of this being serve as a sonic model for every aspect of the work.
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| \ ˈbes-chē-ˌer-ē, -ˌe-rē, ˈbesh-, ˈbēs-, ˈbēsh-\
plural bestiaries
Definition of bestiary
1 : a medieval allegorical or moralizing work on the appearance and habits of real or imaginary animals
2a : a collection of descriptions or representations of real or imaginary animals b : an array of real humans or literary characters often having symbolic significance
Bestiario (“Bestiary”) is a collection of pieces in which the performers are asked to embody an imaginary animal through sound. This animal participates in the composition process as it gradually reveals itself in its sonic qualities which help dictate the work’s discourse (form, techniques, contrasts, gestures, etc.). This means that this imaginary animal has agency in the work, which leads me to make decisions that I would not have otherwise made.
In this sixth piece of the "Bestiario" cycle, I took a slightly different approach and used a non-imaginary animal as a collaborator. The musical qualities of this being serve as a sonic model for every aspect of the work.
Instrumentation
Flute
Clarinet
Percussions
Soprano voice
Fixed electronics
Clarinet
Percussions
Soprano voice
Fixed electronics
Recording
Work premiered on April 29th with the Experimental Sound Studio's Quarantine Concerts. Performed by Nina Dante
Score Details
Format - A4 / US Letter
Pages - 32
Pages - 32