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Elogio de las cosas vacías

for flute, oboe, percussion, piano and cello

Cristian Morales-Ossio

11,00 €

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Especificaciones

Region

Latinoamérica

Estimated Duration

11 - 15min

Date

2017

ISMN : 979-0-2325-8017-3

Descripción

During the composition of the piece, I found exciting sources of inspiration in Henry Moore's sculptures and also in the site-specific artworks of American

artist Gordon Matta-Clark (1943 – 1978). From my viewpoint, formal gestures of fullness and emptiness can be seen in Moore's artworks: the observation

of these forms updates our contemplation of the vastness of void and, at the same, it re-defines the value of solid forms. In a very different practice,

Matta-Clark explored remarkable emptying and fissuring actions by carving enormous holes in ruined buildings.

In Elogio de las cosas vacías (Eulogy of empty things) the presence of the oboe is particularly relevant not only because this plays a soloist

role, but also because it carries out gestural elements being processed through emptying, fissuring, absorbing, compositional actions. It might be said the

music itself explores the idea of ʻintersticeʼ in this piece. This concept has multiple manifestations with different scopes and acts as a sign of identity in

the piece: silence, fissure, disappearance. The empty/solid things paradox dynamically feeds organic processes of mutual absorption between object and

context.

I would like to especially thank German oboist Benjamin Fischer, who actively participated in the collaborative process of the piece.

Instrumentation

Flute
Oboe
Percussions
Piano
Cello

Recording

Recorded on 14th October at the
Kulturnhalle

Score Details

Format - A4 / US Letter
Pages - 40

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