Inflect

Inflect
The piece is divided into two contrasting sections, each reflecting two opposite approaches to time: internal and external, respectively. In the first part, time has a cognitive function. It’s nothing but inner sense. With a more phenomenological view, this relation between time and experience is a flux of consciousness; within it the musical objects are constituted.In the second section, time is linked more to physical world. It’s mechanical and unidirectional. Here, I tried to define time as absolute flow against which motion is measured. Here, the aspect of continuity has a priority over the aspect of change. The title refers both to the alterations of form by additions and expansions and also to the use of curves to calculate those alterations.