Trois Pièces pour Contrebasse
Solo Double Bass
8,24 €
Versión digital (+0,00 €) para descarga
Versión impresa (+14,80 € impresión y envío). Colissimo7-14 days aprox.
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Especificaciones
Region
Europe
Estimated Duration
11 - 15min
Date
2014
ISMN : 979-0-2325-1553-3
In Stock
Videos alrededor de ésta pieza
Descripción The 3 pieces were composed between 2013 and 2014. They are the result of a research on the versatile possibilities of the instrument. The technical, rhythmical and expressive possibilities of the double bass are explored.
The first piece of the cycle (Domenico Dragonetti memoriam) is based on the name of the legendary and virtuoso Italian double bassist of the 19th century and its « musical » equivalence: D(r)(ré)-a(la)-g(sol)-o(do)-ne(t)(mib)-ti(si) / Do(do)-(m)e(mib)-ni(si)-c(o)(do). This idea is developed in freely and expressively during the piece.
The second piece (Ligne Fuyante) has a rhythmical essence. The combination of various techniques (tapping, pizz, col legno battuto, semi legno, etc..) progressively create a virtuosic Cadenza, which combines left hand tapping with right hand bowing, as well as fast-randomly accentuated glissandi, leading to the exploration extreme register(s).
The last piece of the cycle (Raining waves) is based on natural harmonics, played pizzicato (mainly with the right hand above the left hand), combined with open strings, or bowed using various positions and microtonal fingerings, creating a colourful and beautiful continuum, giving its name to the piece.
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The first piece of the cycle (Domenico Dragonetti memoriam) is based on the name of the legendary and virtuoso Italian double bassist of the 19th century and its « musical » equivalence: D(r)(ré)-a(la)-g(sol)-o(do)-ne(t)(mib)-ti(si) / Do(do)-(m)e(mib)-ni(si)-c(o)(do). This idea is developed in freely and expressively during the piece.
The second piece (Ligne Fuyante) has a rhythmical essence. The combination of various techniques (tapping, pizz, col legno battuto, semi legno, etc..) progressively create a virtuosic Cadenza, which combines left hand tapping with right hand bowing, as well as fast-randomly accentuated glissandi, leading to the exploration extreme register(s).
The last piece of the cycle (Raining waves) is based on natural harmonics, played pizzicato (mainly with the right hand above the left hand), combined with open strings, or bowed using various positions and microtonal fingerings, creating a colourful and beautiful continuum, giving its name to the piece.
Instrumentation
Double bass
Score Details
Format - A4 / US Letter
Pages - 20
Pages - 20