Anahita Abbasi

Ensemble de Chambre (5 - 9 instruments)

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Situation XV ..."this is the noise that makes everything quiet ..." (2024)
Situation XI SPHERE (2023)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Situation VI Happenings (2021) (2021)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Situation III Je - Tu- Nous (2016)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)

Grand Ensemble (20 - 35 instruments)

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Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)

Ensemble (10 - 19 instruments)

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Situation IX Posht-e Hietschestan (2023)
Situation X jemand wie wir (2023)

Groupe de Chambre (2 - 4 instruments)

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Paradigm for voice and bass clarinet (2021)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Moving Surfaces III Another Birth (2015)
Distorted Attitudes IV- Facile Synthesis (2015)
Folksongs I - Ahou Ahou composition-Arrangement on persian folksong "Shekar e Ahou" Anahita Abbasi (2012)

Orchestre Symphonique

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WHY THE TREES WERE MURMURING Commissioned by Brenda and Steven Schick (2020) Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving, and exceptional community of the UC San Diego Music ... (2020)

Instrument Solo

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Intertwined Distances For solo Harpsichord and Electronics Commissioned by & dedicated to Mahan Esfahani (2018)
No, I am not roaming aimlessly for solo flute (2017)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Schattenfragmente for solo accordion (2011)

Voix et instruments

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Seven Impressions for Voice and Percussion (2017)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)

Musique Instrumentale

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Situation XV ..."this is the noise that makes everything quiet ..." (2024)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation X jemand wie wir (2023)
Situation IX Posht-e Hietschestan (2023)
Situation VIII ec(h)o-systems (2022)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Paradigm for voice and bass clarinet (2021)
Intertwined Distances For solo Harpsichord and Electronics Commissioned by & dedicated to Mahan Esfahani (2018)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Elixir Night & Mystery (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Sirventès for Cello and Percussion (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
No, I am not roaming aimlessly for solo flute (2017)
Situation I Incidents (2016)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)
Folksongs I - Ahou Ahou composition-Arrangement on persian folksong "Shekar e Ahou" Anahita Abbasi (2012)
Schattenfragmente for solo accordion (2011)

Quatuor à Cordes

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Distorted Attitudes IV- Facile Synthesis (2015)

Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Distorted Attitudes IV- Facile Synthesis (2015)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
FAAB IV A femme fatale (2016)
Folksongs I - Ahou Ahou composition-Arrangement on persian folksong "Shekar e Ahou" Anahita Abbasi (2012)
Intertwined Distances For solo Harpsichord and Electronics Commissioned by & dedicated to Mahan Esfahani (2018)
Moving Surfaces III Another Birth (2015)
No, I am not roaming aimlessly for solo flute (2017)
Paradigm for voice and bass clarinet (2021)
Schattenfragmente for solo accordion (2011)
Seven Impressions for Voice and Percussion (2017)
Sirventès for Cello and Percussion (2017)
Situation I Incidents (2016)
Situation III Je - Tu- Nous (2016)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Situation IX Posht-e Hietschestan (2023)
Situation VI Happenings (2021) (2021)
Situation VIII ec(h)o-systems (2022)
Situation X jemand wie wir (2023)
Situation XI SPHERE (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XV ..."this is the noise that makes everything quiet ..." (2024)
WHY THE TREES WERE MURMURING Commissioned by Brenda and Steven Schick (2020) Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving, and exceptional community of the UC San Diego Music ... (2020)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)