Peridrome
7,21 €
Version numérique (+0,00 €) à télécharger
Version papier (+14,80 € impression et livraison ). Colissimo7-14 days aprox.
Chez BabelScores, quand vous achetez une partition, vous pouvez ensuite contacter directement le compositeur ici même !
Caractéristiques
Region
North America (Canada - USA)
Estimated Duration
6 - 10min
Date
2007
ISMN : 979-0-2325-1410-9
In Stock
Notes sur cette pièce
Peridrome
Peridrome is a continuous work in progress for me. Much like a building where different layers are added over the years, this piece contains musical materials from at least 4 different periods, which span 7 years now. In a way it’s a personal archeology where my oldest musical ideas are combined with the newest. As the title implies, this piece itself is conceived almost as an arch form. This actually becomes quite literal in the middle of the piece where electronics reverse what the violin played. Although the character of the music follows this structure, the function of electronics has a more linear trajectory. They start with transformative processing where the computer creates a halo around the violin. Towards the end of the piece, electronics become more generative and create harmonies where the violin almost becomes one of the oscillators.
Ajouter à une playlist
- Identifiez-vous pour créer une liste
Peridrome
Peridrome is a continuous work in progress for me. Much like a building where different layers are added over the years, this piece contains musical materials from at least 4 different periods, which span 7 years now. In a way it’s a personal archeology where my oldest musical ideas are combined with the newest. As the title implies, this piece itself is conceived almost as an arch form. This actually becomes quite literal in the middle of the piece where electronics reverse what the violin played. Although the character of the music follows this structure, the function of electronics has a more linear trajectory. They start with transformative processing where the computer creates a halo around the violin. Towards the end of the piece, electronics become more generative and create harmonies where the violin almost becomes one of the oscillators.
Instrumentation
violin|Real-time Electronics|
Recording
Julia Ogrydziak - violin
Score Details
Format - A3 /tabloid
Pages - 14
Pages - 14