Tutti

This piece proposes an orchestral approach to the chamber ensemble. All of the instruments again are synthesized in order to create one larger entity. Musical parameters favor a state of constant flux, it attempts to breathe like a living organism. The pitch-class Eb again plays a central role, dichotomies such as natural/tempered, attack/resonance, gravity/saturation, linear/non-linear, rhetorical/juxtaposed, pitch/noise, are central.