Instantes nulos

Instantes nulos (final de otra partida)
This piece, like Viejo final de partida (Mastropietro 1998), was composed specifically for a show based on Samuel Beckett’s texts and is inspired by his work Endgame. The musical piece is designed to be performed with the overlap of four excerpts of the play interpreted by two actors or without them.Regarding the musical piece, the Argentinean musicologist Omar Corrado expresses that it presents the obstinate succession of a complex sound group of hard and strong attacks whose appearances, cut by silences, are differentiated by changes in tone definition, resonance, rhythmic sequence and the administration of repetition and misunderstandings. The music seems to go through a sculptural object, exploring its different volumes and edges. As in Beckett’s pieces, the discourse constantly revolves around itself without directionality, as if stopped in his own uptight present.