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Divergences
per due violini
9,27 €
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Caractéristiques
Region
North America (Canada - USA)
Estimated Duration
6 - 10min
Date
2018
ISMN : 979-0-2325-4627-8
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Divergences per due violini is written for two emblematic instruments within the
intimacy of unmeasured realities where one cannot play without the consent
of the other, one waiting for the other, one guided by the other.
Divergences per due violini also tries to embrace and cope with the Nietzschean
statement that Marilyn Manson pronounced over twenty years ago, at the
1997 MTV Video Music Awards, that “... we will no longer be oppressed by
the fascism of Christianity and by the fascism of beauty.’’
The angularity of the pitch structuration is determined by the omnipresence
of major sevenths and their close relatives. The flow of the diatonic tension is
characterized by the quality of the spread of these intervals.
In answer to Manson, the three pieces are the prayer of a poor man who
wonders about the ones who live in abundance and debauchery, and still
continue to obtain riches. He asks if it is in vain that he purified his heart and
washed his hands in the midst of innocents. He thinks: “If I had said, ʻI will
speak like them,’ I would have reproved the race of Thy children. I was
reduced to nothingness, and I did not know why.’’
But in that context, Lucifer cometh (III).
Instrumentation
Violin (2)
Recording
Played by Laura Andriani and Silvia Mandolini at Walter Hall in Toronto.
Score Details
Format - Undefined
Pages - 10
Pages - 10
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