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Partota 7 & 10
ISMN : 979-0-2325-7496-7
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Around 2000, I improvised some "songs" on my Disklavier. These piano songs without voice should have a simple cut, without great demands, easier to listen to, intended for my mother, who liked to hear my music. But she was often irritated by the strange microtones and rhythms. I then wrote down two of these improvisations and called them "Partota 7" and "Partota 10" in the order of my keyboard-related pieces. The latter was also played by Tanja Noters, to whom I dedicated Partota 10.
The idea is to fly over the musical text. The detailed rhythms should ultimately be completely forgotten, so that a jazzy flowing, metrically rather soft image is created. The accent notation should be interpreted "softly": Accents are relatively stronger notes, to be interpreted out of context. But there are also occasional notes that could be emphasized, again out of context. Large lines should be realized.
Pages - 32
Mateo Sepulveda Rios
Jonathan Bell
