Recherche avancée

Rechercher
Catégorie
Éditeur partenaire
Réinitialiser
Afin de lire les conducteurs à l’intégralité,
abonnez-vous à la bibliothèque en ligne
preview1_8327.241218.214241
preview2_8327.241218.214241
preview3_8327.241218.214241

Meditations on Departure

for cello and orchestra

14,00 €
Version numérique (+0,00 €) à télécharger
Version papier (+20,30 € impression et livraison ). Colissimo7-14 days aprox.
Chez BabelScores, quand vous achetez une partition, vous pouvez ensuite contacter directement le compositeur ici même !
Caractéristiques
Region
North America (Canada - USA)
Estimated Duration
16 - 20min
Date
2024

ISMN : 979-0-2325-8029-6

Notes sur cette pièce

Meditations on Departure draws from personal and universal experiences to explore departure, loss, and longing in five vignettes.

In this work, I have tried to give the cello a semi-human "voice" quality to narrate, sing, breathe, sigh, and simply embody the experience of departure and loss. The generally sparse texture of the orchestra provides an open space for the cello to be at the front and center of the narrative.

I. Soliloquy: The cello plays a solo part consisting of a melodic gesture which is repeated obsessively and undergoes subtle variations. The extended dynamic range, microtonal nuances, and techniques create these subtle variations and give this simple melodic gesture a dynamic character.

II. Rupture: The cello multiphonics alongside the backdrop of metallic sounds in the orchestra create an unstable and fragile soundscape that resembles breakage. Here, the inevitable rupture is a painstakingly long process that unfolds and evolves in time.

III. Stay!: This is a plea to the departee to stay. It is a dialogue between the cello and orchestra that mourns being left behind. The cello sighs, weeps, and longs with another motif, and when the cello retreats to silence, the orchestra breathes and echoes the embedded harmonic content of this motif as blocks of chords.

IV: Disappearance: In the aftermath of departure, there is a void, in which the cello trembles and stutters without any answers or resolution.

V: Shadows: This is a quiet elegy that contemplates what there is and what could have been. It is the realm of impossible possibilities. Prolonged melodic lines on the cello are shadowed by soloists in the string section, while the rest of the orchestra articulates this prolonged and gradually transforming melodic line in a chorale-like texture. At the end, shadows disappear and turn this meditation into dust.

Instrumentation
Flute (2)
Oboe (2)
Clarinet (2)
Bassoon (2)
Trumpet (2)
Trombone (2)
Percussions
Cello
Horn (French Horn) (4)
Violin I
Violin II
Double bass
Bass trombone
Timpani
Score Details
Format - A3 / Tabloid
Pages - 44