Lungo la curva spaziotempo
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The main idea that guided me in the creation of Lungo la curva spaziotempo (Along the space-time curve) was the image of sound objects which, like orbiting celestial bodies, gravitated around the listener in the perception of a temporal cyclicity in motion. With each removal or removal these objects will have undergone changes due to the inevitable luminous inclinations.
Lungo la curva spaziotempo is divided into five parts. Imitating a "space-time curve", the extreme parts are slower, suspended and play on the periodic gravitation of sound objects around axes than certain cycles of gatherings; the second and fourth parts develop, in a continuous transformation in sound space and time, cycles of complex objects that are created with fluidity; the central part juxtaposes two contrasting ideas, one of which uses in a similar way the system of orbiters imagined above and another of which melts pulsating sounds.
In a continuum, the musical material used probes the sound dust that comes from the enlargement of the techniques of some instruments and masses of sounds that recreate artificial timbres oscillating between harmonic and inharmonic spectrums. From these complexities, very defined chordal luminosities emerge and unravel and multi-rhythms in transformation align and misalign.
Oboe
Clarinet
Bassoon
Horn (French Horn)
Percussions
Piano
Violin (2)
Viola
Cello
Pages - 78
