David Chisholm

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David Chisholm is an internationally recognized composer and artistic innovator, celebrated for his diverse and collaborative approach to music and interdisciplinary art. His contributions have earned him six Green Room Awards, an APRA AMCOS Art Music Award, a French Australian Chamber of Commerce and Industry Award, a Highly Commended Paul Lowin Prize, a Mention at the 36th Bourges International Competition of Electroacoustic Music and Electronic Art, a Special Mention at the X Media Forum (31st International Film Festival, Moscow), the Medibank Private State and National Arts Awards, and the National Young Achiever of the Year accolade.

David’s work has been showcased in some of the world’s most contrasting contexts including World Pride Sydney 2023, Black Box Okhala New Delhi, Ebila Hall Tokyo, Venice Biennale (Web Pavilion), Villa Medici in Rome, EMPAC New York, the Edinburgh, Sydney, Adelaide, and Melbourne Festivals, the Moscow Museum of Modern Art, ISCM World New Music Days (Sweden), MONA FOMA, Dansescenen (Copenhagen), GAM Santiago, Monaco Dance Forum and the Ao Tea Centre. His compositions have been performed by an impressive roster of ensembles and organizations, including the San Francisco Contemporary Music Players, Auckland Philharmonia,  International Contemporary Ensemble, Ensemble Vortex, defunensemble, Ensemble Taller, Swedish Radio Symphony Orchestra, Argonaut, Melbourne Youth Orchestra, New Zealand, Adelaide and Tasmanian Symphony Orchestras, Golden Fur Latitude 37, Silo String Quartet, and The Australian Ballet/Sonic Art Ensemble.

A visionary leader, David was the founding Artistic Director and CEO of the Bendigo International Festival of Exploratory Music, steering the festival from its dynamic launch to seven celebrated annual editions between 2012 and 2019. He also served as Composer-in-Residence for Phillip Adams’ BalletLab (2006–2010), an Associate Artist for Malthouse Theatre in 2014, and was an Australia Council for the Arts Composer-in-Residence at HIAP in Helsinki, Finland, in 2017. Notably, he was the first Australian composer featured at the Encuentro Internacional de Compositores in Santiago, Chile (2018), and the first Australasian composer commissioned by the San Francisco Contemporary Music Players.  

David’s academic contributions are equally distinguished. Between 2012 and 2018, he lectured and tutored at Monash University while completing his PhD at the University of Melbourne. In early 2019, he joined Te Whare o ngā Pūkōrero Pūoro | School of Music at Waipapa Taumata Rau | University of Auckland as a Senior Lecturer and Composition Convenor. By late 2020, he assumed the role of Urumatua o te kura | Head of School , where he continues to shape the future of music education and creativity in Aotearoa | New Zealand. In November 2024 he was a guest lecturer at the University of Hawai'i at Mānoa, and is currently the co-lead researcher with Associate Professor Basak Senova  for "The Atlas of Creative Mechanisms" at Angewandte|University of Applied Arts Vienna as at the recipients of a FWF Austrian Science Fund (2022-2026) and co-researcher/composer on generative AI creative processes for orchestral forms "Fountain" with Professor Rodrigo Cádiz at Pontifical Universidad Católica de Chile, in Santiago.

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Ordered by year. Most recent works appears first

Orchestral Music


Fountain: Form One Four Generative AI forms for orchestra (2024)
Pierre Boulez a la discothèque (2022 revision) for orchestra (2022)
...and I am but an echo, a ghost, a mirror of your flower for orchestra (2018)
KURSK AN ORATORIO REQUIEM (2011)
The Muster-Book of the Dynamical Systems Collective for orchestra (2004)

Solo Instrument


Temporal Sweetness Profile for solo bassoon (2021)
Five Pieces for Lizzy Welsh for solo Baroque Violin (2020)
Exquisite prison for solo viola (2019)
Lombard miniature for solo piano (2019)
Cadenza I for solo Harp (2016)
Interlude # 1 from The Experiment for solo guitar with acousmatic electronics (2014)
Lamb for solo flute (2011)
The end of the illusion: an epitaph to Jean Baudrillard for solo organ (2008)

Chamber Ensemble (5 - 9 instruments)


Deepfake for low sextet and speaker quartet (2020)
Seven Little Miracles for mixed sextet (2008)

Chamber Group ( 2 - 4 instruments )


Expanding Pixel Threshold for Piccolo Flute and Great Bass Recorder (2020)
Bound South for String Quartet (2016)
The Bloody Chamber Suite for three harps (2014)
Golden Fur for Clarinet, Cello and Electric Harmonium (2010)
The Arrival for viola and percussion (2009)
Luminal for string quartet (2008)

Voices and Instruments


Daughters 11 Fado and 1 Zarzuela for Voice, Guitar, Portuguese Guitar and Double Bass (2019)

Concerto


Harp Guitar Double Concerto for Harp and Guitar soloists with chamber orchestra (2016)

String Quartet


Bound South for String Quartet (2016)
Luminal for string quartet (2008)

Ensemble (10 - 19 instruments)


Jonestown Threnody for string septet (2008)

Solo Voice and Accompaniment


The beginning and the end of the snow An epic song cycle for soprano and ensemble (2007)
...and I am but an echo, a ghost, a mirror of your flower for orchestra (2018)
Bound South for String Quartet (2016)
Cadenza I for solo Harp (2016)
Daughters 11 Fado and 1 Zarzuela for Voice, Guitar, Portuguese Guitar and Double Bass (2019)
Deepfake for low sextet and speaker quartet (2020)
Expanding Pixel Threshold for Piccolo Flute and Great Bass Recorder (2020)
Exquisite prison for solo viola (2019)
Five Pieces for Lizzy Welsh for solo Baroque Violin (2020)
Fountain: Form One Four Generative AI forms for orchestra (2024)
Golden Fur for Clarinet, Cello and Electric Harmonium (2010)
Harp Guitar Double Concerto for Harp and Guitar soloists with chamber orchestra (2016)
Interlude # 1 from The Experiment for solo guitar with acousmatic electronics (2014)
Jonestown Threnody for string septet (2008)
KURSK AN ORATORIO REQUIEM (2011)
Lamb for solo flute (2011)
Lombard miniature for solo piano (2019)
Luminal for string quartet (2008)
Pierre Boulez a la discothèque (2022 revision) for orchestra (2022)
Seven Little Miracles for mixed sextet (2008)
Temporal Sweetness Profile for solo bassoon (2021)
The Arrival for viola and percussion (2009)
The beginning and the end of the snow An epic song cycle for soprano and ensemble (2007)
The Bloody Chamber Suite for three harps (2014)
The end of the illusion: an epitaph to Jean Baudrillard for solo organ (2008)
The Muster-Book of the Dynamical Systems Collective for orchestra (2004)